I’m a contemporary interdisciplinary and performance artist whose work is rooted in lived experience, labor, and class, often using humor, endurance, and material honesty to tell stories about where I come from and how I move through the world. My practice shifts between performance, sculpture, and teaching, with the body and everyday materials acting as both subject and tool.

Ceramics is the anchor of my current practice and the foundation of my small business, Freewheelin’ Ceramics. Working in clay offers a necessary counterbalance to performance—it’s slow, repetitive, grounding, and tied to time and touch. Through functional and sculptural ceramics, I think about care, survival, and working-class aesthetics, letting objects quietly hold what my body sometimes needs to release.

Freewheelin’ Ceramics is both a studio practice and an extension of my broader art philosophy: art as labor, art as access, and art as something meant to be used, lived with, and worn down rather than preserved. Clay keeps me present, supports sustainability in my practice, and anchors my work firmly in daily life.